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    As a young art student, I was struck by the absence of serious academic inquiry into the dance traditions of countries surrounding the Caspian Sea—particularly ancient Persian dance. Later, as a professional immersed in the field, I turned to historical and scholarly sources, only to find that even in the most comprehensive Western reference books, there was a glaring absence of information on classical and contemporary dance traditions from this region.

    There were no entries on the once-renowned Iranian National Ballet, no mention of its pioneering artists, nor any reference to the rich ballet traditions of Azerbaijan, Uzbekistan, or Turkey. Entire repertoires and legacies remained invisible to global audiences and researchers alike. The omission was not only surprising—it was deeply disheartening.

    In response to this silence, I began publishing my own research, including the widely referenced article Persian Dance and Its Forgotten History. Over the years, this work has been cited in numerous academic projects and university studies across the United States, Europe, and even Iran. The engagement and inquiries I received highlighted a growing, urgent need for a dedicated space where the histories and aesthetics of Middle Eastern dance could be explored, studied, and preserved.

    This need gave birth to the Eastern Dance Forum—a digital research platform committed to the documentation, promotion, and academic recognition of Middle Eastern and Oriental ballet traditions. With over 43,000 visits to the original web page in just three years, it became clear that this initiative filled a critical void.

    Today, integrated into the broader cultural mission of iranianballet.org, the Eastern Dance Forum remains the only platform of its kind: a scholarly initiative dedicated to bridging the knowledge gap, challenging orientalist omissions, and celebrating the diverse and often overlooked ballet and dance heritages of the East.

    I invite researchers, students, and enthusiasts to contribute to this evolving body of knowledge. Let us work together to bring these stories into the light and ensure that the dance traditions of the Middle East and Central Asia are recognized for their artistry, depth, and historical importance.

    My deepest gratitude goes to my esteemed colleague, Dr. Anthony Shay, whose invaluable scholarship and contributions to this platform continue to enrich our collective understanding of Eastern dance traditions.

    Nima Kiann
    Dance Scholar
    Founder and Artistic Director, Les Ballets Persans

    At the Iranian Ballet and Institutional Dance Archives, we believe it is our responsibility to ensure that this rich heritage is not only preserved but made accessible to future generations. The significance of collecting, safeguarding, and presenting these historical materials cannot be overstated. Each item we receive is not simply a relic of the past—it is a voice, a testimony, a living piece of a silenced cultural legacy.

    We are deeply grateful to donors such as Mr. Iraj Saghabashi, whose invaluable collection forms the foundation of one of our most distinguished archival series. His generosity—like that of others who have entrusted us with their legacies—has enabled us to build an archive that is truly unique, serving as a beacon for those seeking to understand the breadth and depth of Iran’s artistic achievements in the field of dance.

    Yet, time is not on our side. The generation that once brought Iranian ballet to life—dancers, choreographers, teachers, and patrons—is gradually disappearing. Their personal archives, often stored away in forgotten corners, are at risk of being lost forever. Sadly, these materials are frequently overlooked by descendants who may not recognize their cultural and historical value—simply because they have never been part of the world from which these treasures emerged.

    We extend an open invitation to those who hold physical or digital materials related to Iranian ballet and institutional dance: entrust them to us. Whether it be photographs, programs, letters, costume pieces, or recollections—each contribution helps reconstruct the legacy that history tried to erase. Your donation will ensure that your memories, and the passions that shaped them, are shared with a new generation. In doing so, your name and your contribution will live on, honored as part of a collective effort to preserve a national art form that once flourished—and that must be remembered.

    With sincere gratitude and hope,
    Nima Kiann
    Founder & Artistic Director
    Les Ballets Persans
    Initiator, Iranian Ballet and Institutional Dance Archives