ENCHANTING TRICK
Tabriz Opera
The Red Lion and the Sun Theatre Hall of Tabriz was ruined on the aftermath of the Islamic revolution in 1980. Built on its ruins, the new opera house celebrates more than a century of Azerbaijan’s cultural contribution to Tabriz and the rest of the country.
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The Birth of Modern Opera in Iran
In the vibrant city of Tabriz—long a cradle of Iranian modernity—the first act of Iran’s operatic history was written nearly a century ago. In 1927, under the directive of Reza Shah, the first monarch of the Pahlavi dynasty, The Red Lion and the Sun Theatre Hall (Tālār-e Shir o Khorsheed-e Sorkh) opened its doors. This venue marked the birth of Iran’s first modern opera house. For decades, it stood not only as a pioneering cultural institution but as a symbol of artistic ambition and cosmopolitan sophistication in a rapidly modernizing nation.
The architectural design of the theatre echoed the grandeur of Stalingrad’s Opera Theatre, combining classical European aesthetics with state-of-the-art stagecraft. Its technological capacities were unrivaled in the region. A railway line was constructed through the performing area, enabling actual locomotives and automobiles to be brought onstage—a remarkable theatrical innovation at the time. The repertoire was rich and diverse: theatre plays, operas, operettas, orchestral concerts, and dance performances filled its schedule. Though it lacked a resident dance company, the Red Lion and the Sun became a vital stage for international touring ensembles and collaborative productions with foreign artists, much like the renowned Abramian Theatre Hall in Tabriz. A similar Western-style performance venue, built by the Russians in Qazvin before the Bolshevik revolution—today known as Emārat-e Shahrdāri—also hosted ballet performances during this early period of cultural flowering.
Destruction and Silence
Tragically, this cultural beacon was extinguished in the aftermath of the 1979 Islamic Revolution. In 1980, the Red Lion and the Sun Theatre Hall, located within the historical Ali-Shāh Citadel complex, was demolished by order of Ayatollah Moslem Malakouti, then an influential cleric and the Supreme Leader’s representative in East Azerbaijan. Branding the theatre as a site of moral corruption and decadence, the new regime saw no place for such symbols of artistic freedom. What remained was a void in the cultural landscape of Tabriz—and a painful rupture in Iran’s performing arts heritage.
Silence broken, history revived. Tabriz Opera rises again.Nima Kiann
A Vision for the Future
Now, nearly half a century later, a new chapter is being written.
The Tabriz Opera project is a visionary initiative that seeks not merely to rebuild what was lost but to revive, reimagine, and transcend it. Inspired by the legacy of the original theatre, this project aims to establish a new opera house on the historical grounds of its predecessor, integrating the modernity and elegance of contemporary design with profound respect for the city’s rich architectural and musical traditions.
The new Tabriz Opera will serve as a regional epicenter for operatic and multidisciplinary performance, bringing together Iranian and international artists in a shared pursuit of excellence. It will be home to cutting-edge productions of opera, ballet, and symphonic music, while also nurturing Azerbaijani and Persian musical heritage, establishing vital cultural dialogues across time and geography.
Resilience Through Revival
Above all, the Tabriz Opera represents cultural resilience—a phoenix rising from the ashes of erasure and suppression. It reclaims a site once silenced by ideological forces and restores it as a monument to artistic freedom, historical memory, and national pride.
As the revival of Iran’s first opera house begins to take form, it stands as a profound reminder: art may be silenced, but it is never truly lost.